B4 24 - The Passion of Kiefer Sutherland
Kiefer Sutherland is a passionate man. Indeed, how could anyone who has ever sat through one episode of 24, with Kiefer alternating between his soft intense snarl, and his flat-out crazed roaring ever accuse him of passionlessness? We suspect the war on terror would have ended in early 2002, had the government actually employed such a solider. Imagine Kiefer, staggering over the rocky mountain passes of
Kiefer leads a pack of swellheaded vampires and is looking to expand the family. They may indeed appear to be a harmless bunch of pseudo rock star wannabes, guilty only of raiding a high school band uniform store for their wears, but it is leadership that keeps them in check.
Kiefer first targets the young Jason Patric as a food source, but quickly comes to realize he was in error by initially deciding to sacrifice such a strong addition. Was it Jason's willingness to participate in a motorcycle race? Or was it his eagerness to eat worms, maggots and drink blood? His inability to resist the monotonous chanting of “Join Us”? Whatever the case, Kiefer knows a good bet when he sees it. This of course sets Kiefer in opposition to young heart throbs, Coreys Haim and Feldman. He must have known what he was up against by antagonizing the impenetratible force-field that was “The Coreys.” But stick to his vampiric ideals he does, even to his death, as is forced-through “by stereo.”
Youthful passion and belief in one’s chosen life style more than adequately displayed, misguided as it may be.
Starring as cowboy and plagiarizing poet Josiah Gordon “Doc” Scurlock, Kiefer here is one of Billy the Kids’ gang from imagined beginnings. He steals the show by demonstrating his understated sensitivity whilst swimming in a sea of testosterone. Doc is quick on the draw in a fight, always there for a pal, and damn if he can’t sweep a Celestial woman off her feet with some lifted Shakespeare or Edgar Allen Poe. His flower bunch may be withered, but it is the thought that counts, and fresh flowers are particularly hard to come by in the wilds of eastern
Passion for the lady strongly represented, but not equally so for the boys. Dicks should at least be on equal footing with chicks.
Kiefer’s passion is contagious in Flatliners, as he infects four of his fellow med students with a lust to discover what lay beyond the grave. These five doctors in training decide to step on God’s toes and kill themselves, relying on their fellow egomaniacal students to bring them back to life, for the greater good of finding out what exactly happens. Passion? Oh yes. When the group discovers they have brought their haunted pasts into the present, Kiefer’s not too proud to get his ass kicked by some kid. Repeatedly. It’s all for the good of the plot after all, and far be it from Kiefer to ever stray from the object of his character’s intensity.
Angry, narcissistic and with a God-complex to boot, followed by vulnerability and humble acceptance of the Universe? Kiefer, you had us at “Today is a good day to die.”
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